Fresh Air Weekend

Opening the window on contemporary arts and issues with guests from worlds as diverse as literature and economics. Terry Gross hosts this multi-award-winning daily interview and features program. The veteran public radio interviewer is known for her extraordinary ability to engage guests of all dispositions. Every week she delights intelligent and curious listeners with revelations on contemporary societal concerns. 

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

Mike Mills Grapples With His Mother's 'Tricky Ghost' In '20th Century Women': The director's latest film is inspired by his desire to understand his mother. Set in Santa Barbara in 1979, it stars Annette Bening as a woman struggling to raise her teenage son on her own.

Copyright 2016 Fresh Air. To see more, visit Fresh Air.

TERRY GROSS, HOST:

TV critic David Bianculli says that 2016 wasn't a great year for broadcast TV — but that's OK, because audiences had a lot of streaming, cable and Web options to make up for it.

"The things we're getting out of Amazon and out of Netflix and out of Hulu, it's increasing our options and they're trying some pretty good stuff," Bianculli tells Fresh Air's Terry Gross.

Film critic David Edelstein estimates that he saw 400 films this year — more than enough to fill "a couple of 10-best lists," he tells Fresh Air's Terry Gross. His favorite? The fantasy musical, La La Land, starring Ryan Gosling and Emma Stone.

"Everything — the movement of the camera, the colors of the set and the costumes, the rhythms of the actors — harmonizes with everything else," Edelstein says. "It's a beautiful combination of an homage to the past and something entirely new."

It's been an unusual political year, to put it mildly, and you could write most of its story just by tracking its effects on the lexicon — the new words and new uses of old ones, some useful, some that we could do without.

I'll come to some of these in a minute. But for my word of the year, I'll go with "normal" and its sister "normalize." That may seem perverse for a year like this one, but when people are talking a lot about normal it's a sign that we're living in extraordinary times.

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