Clearly Classical

Weekday mornings and afternoons

The world of classical music comes to you each weekday with Valley Public Radio's Clearly Classical. Hear selections from FM89's music library ranging from favorites like Bach, Mozart and Beethoven to lesser known composers of the classical era. Hosted by George Mason David Aus and Jason Scott. You can hear Clearly Classical on FM89 from Monday through Friday from 9:00 a.m. till 11:00 a.m. and 1:00 p.m. till 4:00 p.m., except on Tuesdays, when Valley Edition airs from 9:00 a.m. till 10:00 a.m.

Paul Body / Opus 3 Artists

Pianist Garrik Ohlsson is one of the world's foremost interpreters of the music of Chopin. The San Francisco-based pianist is a also a familiar name for Central Valley audiences, as he's made numerous performances in the Philip Lorenz Memorial Keyboard Concert Series.

Philip Lorenz Memorial Keyboard Concert Series

Fresno's Philip Lorenz Memorial Keyboard Concert Series returns to the airwaves of Valley Public Radio this fall with broadcast performances recorded during last year's season. Since 1972, the series has brought the world's finest pianists and organists to Fresno to perform for local audiences. This year FM89 listeners will hear the following performances Wednesday nights at 8:00 PM.

Vadim Gluzman is one of the world's premier violin soloists. Born in the former Soviet Union in the early 1970's, Gluzman career took off in Israel, where he met cellist Thomas Loewenheim, establishing a friendship that continues to this day.

Violinist Sarah Chang and conductor Theodore Kuchar have worked together for years, with performances in Central California with the Fresno Philharmonic, and around the world with other orchestras, most recently on a three week tour of South Africa in 2013. Chang, who is performing in Fresno this weekend  to celebrate the orchestra's 60th anniversary joined us in the studio with Maestro Kuchar to talk about her career and her relationship with the maestro.

When Choirs Sing, Many Hearts Beat As One

Jul 10, 2013

We open our hymnals to Hymn 379, and we begin to sing. "God is Love, let heav'n adore him / God is Love, let earth rejoice ..."

Lifting voices together in praise can be a transcendent experience, unifying a congregation in a way that is somehow both fervent and soothing. But is there actually a physical basis for those feelings?