Valley Public Radio - Live Audio

Bob Mondello

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Marvel's new superhero movie Deadpool stars Ryan Reynolds, a fact that, up to now, would likely not have been considered much of a selling point. This is not, after all, Reynolds' first stint as a superhero. There was that catastrophic Green Lantern movie, his animated supersnail in Turbo, and he played this character very briefly in what's arguably the least of the X-Men movies.

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The new movie, Rams, has absolutely nothing to do with Peyton Manning. It's a story from Iceland that involves sheep, snow, a herd-afflicting virus called scrapie and sufficient sibling rivalry to power a Greek tragedy.

Like many — perhaps most — Americans, I've never been to Iowa. But I and much of my generation learned a lot about Iowans years ago from a classic American musical. I knew from the age of 8 that Iowans are stubborn. I learned that from the song "Iowa Stubborn" in Broadway's The Music Man. My folks had seen the show and told me how, when traveling salesman Harold Hill got to River City, Iowa, everybody followed him around because he was an outsider — but they were kind of weird and standoffish.

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A short story about a long marriage — "In Another Country" by David Constantine — provided source-material for Andrew Haigh's breathtaking marital drama, 45 Years, but it's been enhanced and sharpened in its transition to the screen. What was once a story that harked back to WWII, and was loosely based on a real incident, has become a devastatingly intimate tale about a couple unsettled late-in-life, by an unexpected revelation.

Looking for evidence that truth is stranger than fiction? Alan Bennett has a story for you: The Lady in the Van, about a writer named Alan Bennett who let a homeless woman move her van into his London driveway for "a couple of weeks," only to have her stay for 15 years.

This was, by his own account, awkward while it was happening, but from that awkwardness has come a best-selling book, and a splendid part for Maggie Smith on the radio, in a hit London play and now in a movie.

Last week, James Bond, this week James White — proof, should any be required, that fall movies come in all shapes and sizes.

Filmmaker Josh Mond, making his feature directing debut after producing a slew of intriguing indies, brings intensity to an intimate domestic drama about a feckless New York City slacker who appears to have a fight-or-flight approach to a familial crisis.

Spectre opens in Mexico City — a Day of the Dead festival in full swing — streets crowded with partying skeletons, and director Sam Mendes celebrating the dead in his own way with a nifty Orson Welles tribute: A Touch of Evil-style tracking shot that has no obvious edits for at least five minutes as it follows Bond (Daniel Craig) and a gorgeous brunette (Stephanie Sigman) from the costumed parade route into a hotel, up in a crowded elevator to a well-appointed room where she settles seductively on a bed — only to watch him zip out onto a roof ledge with a quick shirt cuff

China's Cultural Revolution was a period of political turmoil, launched by Mao Zedong in 1966, a dark decade that many in Chinese society would prefer to forget. So it says something that Zhang Yimou's new drama Coming Home, which is set during those years, has been a big success in China.

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Some movie titles tell you exactly what the movie's going to be about. Others, not so much.

The new documentary Do I Sound Gay? falls firmly into the first category. (The comedy Tangerine, which has nothing to do with citrus, falls just as firmly into the latter; more about it in a moment.)

But first, the obvious question: Do I sound gay? I mean, you hear me on the radio all the time. (Or, if you don't, you can also hear me in the audio link above.) So really, do I?

With Spy topping Hollywood's box-office charts this weekend, Melissa McCarthy becomes the latest woman to head a major box-office hit in 2015. And while that merely puts her in good company this year, it's hardly been common in the past.

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