NPR News

Moonshine used to be big business in the South, an illegal business that also kept the federal courthouses busy. Now one of those facilities, once on the front lines of the war on homemade booze, is shutting down.

The Johnson J. Hayes Federal Building is in Wilkesboro, N.C., where distilling corn whiskey in backwoods breweries was once the town's main trade. It's one of six federal courthouses closing in the South over the next year or two.

One of the most bitter congressional races is in the suburbs of Chicago, where controversial freshman Republican Joe Walsh is fighting to keep a seat he was actually drawn out of.

The Tea Party favorite's bombastic rants frequently get him into trouble, even with members of his own party, and Walsh is facing a tough Democratic opponent in Iraq war veteran Tammy Duckworth, who lost both of her legs in combat.

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JACKI LYDEN, HOST:

It's WEEKENDS on ALL THINGS CONSIDERED from NPR News. I'm Jacki Lyden.

PRESIDENT BARACK OBAMA: I'm asking for your vote, and I'm asking you to vote early.

MITT ROMNEY: It matters. This race matters. You know how big this race is.

LYDEN: The candidates making their last swings through the swing states a week and a half before Election Day. James Fallows of The Atlantic joins us as he does most Saturdays. Hello there, Jim.

JAMES FALLOWS: Hello, Jacki.

The economy has peppered political speeches for much of the presidential campaign. But talk of creating jobs has stolen thunder from the housing market.

The epic housing collapse four years ago was a key ingredient in creating the Great Recession in the first place. Plus, boosting the housing market can be a boon for overall economic recovery.

Beginning A 'Long-Term Cycle'

Reporting in Afghanistan isn't just challenging because of the security concerns and the complexity of society and the stories here; it's challenging because "facts" are often in the eye of the beholder. Just last week, an incident that seemed to be factual is now an open question: Was there a deadly firefight or not?

In the late 1990s, Beth Orton set the music world buzzing with her singular sound: part folk, part electronica. But six years ago, she found herself at a life-changing juncture: pregnant with her first child — and dropped from her record label.